Thursday, March 24, 2011
Monday, March 21, 2011
HOBBIT NEWS! Cast, Pics and FB page!
Warner Bros/New Line Cinema and MGM have announced the start of production on The Hobbit  in New Zealand, which includes a full update on the signed cast...Martin Freeman takes the title role as Bilbo Baggins and Ian McKellen returns in the role of Gandalf the Grey. The Dwarves are played by Richard Armitage (Thorin Oakenshield), Ken Stott (Balin), Graham McTavish (Dwalin), William Kircher (Bifur) James Nesbitt (Bofur), Stephen Hunter (Bombur), Rob Kazinsky (Fili), Aidan Turner (Kili), Peter Hambleton (Gloin), John Callen (Oin), Jed Brophy (Nori), Mark Hadlow (Dori) and Adam Brown (Ori). Reprising their roles from “The Lord of the

Full article and press release...
Friday, March 18, 2011
BAFTAs GaMING aWARDS aNNouNCED..
Here are the winners from the video game BAFTAs earlier today: Brilliantly Mass Effect 2 won the Best Game award, a great choice that we at Tape Monkey fully agree with.Action: Assassin’s Creed Brotherhood
Artistic Achievement: God Of War III
Best Game: Mass Effect 2
Family: Kinect Sports
Gameplay: Super Mario Galaxy 2
Handheld: Cut The Rope
Multiplayer: Need For Speed: Hot Pursit
Original Music: Heavy Rain
Social Network Game: My Empire
Sports: F1 2010
Story: Heavy Rain
Strategy: Civilisation V
Technical Innovation: Heavy Rain
Use of Audio: Battlefield: Bad Company 2
BAFTA Ones to Watch Award in association with Dare to be Digital: Twang
GAME Award of 2010: Call Of Duty: Black Ops
Thursday, March 10, 2011
Ian McKellen Talks About Seeing ‘The Hobbit’ in 3D
With the Hobbit in 3D about to start shooting in NZ and we're finally starting to get some news on the, reluctantly included, 3D content. Not just news but word straight from Sir Ian McKellen on his blog. "I've seen Bilbo — in three dimensions.
I was visiting old friends in the Stone Street offices and heard Martin Freeman was just round the corner by the permanent greenscreen, done up as Bilbo, testing his costume in front of the 3D cameras. Indeed, there he was in the open air, mostly oblivious to the camera, though turning this way and that as required. Martin improvised a hobbity gait, padding back and forth, testing his big hairy Hobbit feet, pointy ears and little tum.
Beneath the shade of a tent, in a sun hat, Andrew Lesnie was remotely controlling the two lenses within the mighty camera which digitally records in 3D. His screen showed the familiar 2D image but next to it, above the director's chair, was a large colour screen in full magical three dimensions, much as it will appear in the cinema — courtesy of the spy-glasses that transform the blurred outlines onscreen to the high definition exactitude of the 3D effect.
Three Bilbos simultaneously, two performances on screen and the actor beyond: which was the real one? Martin Freeman was transmuting into a character whose reality will soon be as authentic as his own.
— Ian McKellen, Wellington, March 2011"
A Bidding War Breaks Out to Finally Make a Big-Budget Voltron
Attention, robot nostalgists: Your dreams of a big-screen adaptation of the 1984 animated series Voltron: Defender of the Universe are one step closer to becoming CGI reality! Vulture hears that a bidding war has broken out to finance a Transformers-size blockbuster retelling of the legend of the iconic robotic lions and their human pilots;  Ryan Kavanaugh's deep-pocketed Relativity Media is one of the very  interested parties trying to sell itself to World Events Productions,  the St. Louis–based company behind the original show.                        Atlas Entertainment producers Charles Roven (The Dark Knight Rises) and Richard Suckle had been developing a script with screenwriters Thomas Donnelly and Joshua Oppenheimer (who wrote the upcoming Conan the Barbarian reboot), and concept art had leaked last fall. But considering how long this project has been rumored, rudimentary-anime fetishists dared not raise their hopes. Now, news of the eager big-money suitors means this could finally actually happen. Considering the show became an international pop-culture hit at the beginning of the second Reagan administration, one has to ask, "What took so long?"
The answer lies in the show’s mongrel beginnings. Its creator, Peter Keefe (who sadly didn’t live long enough  to see his creation reach Tinseltown), concocted the syndicated TV  series as an ersatz mixtape, splicing together footage from two esoteric  and totally unrelated Japanese anime series. By editing out the  Japanese dialogue, music, and seemingly ubiquitous beheadings and  disembowelments, Keefe was able to get the show to comply with U.S.  broadcast standards, and it became a totally unqualified — and  unexpected — global hit.
Wednesday, March 9, 2011
Future Gaming Engines being demoed
Monday, March 7, 2011
Meet The Blue-Eyed Heroine Of NickToons’ AIRBENDER II!!
The Wall Street Journal just posted this image of the fighty heroine  of “The Last Airbender: Legend of Korra,” a 12-episode sequel  miniseries coming to Nicktoons this November.It’s set 70 years after the end of “Avatar: The Last Airbender,” which ended in 2008. The new series is set in Republic City, a crime-riddled metropolis that sports an anti-bender movement.
The Journal describes:
The new series takes place 70 years later in the same world and follows the new Avatar, a teen girl named Korra who has learned to bend earth, water and fire and seeks to master air under the tutelage of Aang’s son, Tenzin.Linky...