Smithsonian turns to 3D to bring collection to the world

With the Pirate Bay, Google and now the Smithsonian releasing 3D models it really makes me want to get one!!! Wow...

With just 2 percent of the Smithsonian's archive of 137 million items available to the public at any one time, an effort is under way at the world's largest museum and research institution to adopt 3D tools to expand its reach around the country. CNET has learned that the Smithsonian has a new initiative to create a series of 3D-printed models, exhibits, and scientific replicas--as well as to generate a new digital archive of 3D models of many of the physical objects in its collection. Representative of that effort, the museum is touting the 3D printed replica of a Thomas Jefferson statue that it recently installed for the "Slavery at Jefferson's Monticello: Paradox of Liberty" exhibit at the National Museum of African American History and Culture. According to the museum, this is the "largest 3D printed museum quality historical replica" on Earth and is a copy of a statue on display at Monticello, the Thomas Jefferson museum in Virginia.

According to Adam Metallo, a 3D digitization coordinator at the Smithsonian, the team working on the Jefferson replica project decided that rather than use a traditional method involving rubber molding and casting, they would utilize modern technologies. Taking a Minolta laser scanner worth well up to $100,000 along, they contracted with Studio EIS to generate an intricately detailed 3D model of the statue that was then turned into the 3D printed replica by RedEye on Demand. Now, with that high-end scanner, as well as less expensive tools that include normal digital cameras and freely available cloud-based digitization software, Metallo and his fellow 3D digitization coordinator Vince Rossi are slowly setting out to begin building a new Smithsonian digital archive. They hope this initiative will eventually lead to scores of 3D printed exhibits, as well as countless 3D models that could theoretically be used in the museums, in schools, or just about anywhere people have an interest in the Smithsonian's vast physical holdings. The only problem? They need more companies that, like RedEye On Demand, have the resources to help bring the efforts to fruition.

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